23/01/2014 by sevennotesofgrace

Book Review: ‘One Forever’

‘One Forever‘ by Rory Shiner (Matthias Media 2012)

When you think of yourself being “in Christ” what do you think of? How would you explain this gospel truth? It is much easier to understand Christianity in terms of believing in Christ, or following Christ or knowing Christ. Yet this “in Christ” terminology is favoured by the New Testament writers, Paul especially. It is also packed with the wondrous grace of God shown in the gift of His Son.
If you want to understand better what it means to be IN Christ then this book is for you.
Published in 2012 and written by Australian pastor Rory Shiner “One Forever: The Transforming Power of Being in Christ“ explores so many facets of what this phrase means, in just seven chapters. His writing is conversational and friendly, accessible to most adults and probably many youth. His illustrations are easy to understand, yet the concepts are deep and his pastoral heart is clear. Rory wants us to have the confidence and certainty of being IN Christ, even if our faith is small.
Here are some of the main ideas he explores:

1. To be a Christian is to be in Christ.
“To be a Christian is to put on the Lord Jesus Christ. It is to believe into him. It is to clothe yourself with him.” p40

2. The size of your faith does not matter. The power of the one you have faith in does.

3. Justification is not up to us or our efforts.
Justification is objective. “Justification was not achieved in my heart but on a cross outside Jerusalem”.
“Justification is one of the great joy factories of the Christian life”. P46

4. We are united with Christ in his death and his righteousness and his resurrection.
If we only think of ourselves as following Christ or knowing Christ or being near Christ then we don’t capture what union captures. p58. “Union with Christ is our defence against the playground bullies of sins and temptation.” p56

5. We are right before God because we are in Christ and HE is right before God.
“To stand in Christ is to stand in a place where the wrath of God will never be felt because wrath of God has already been there.” p36

6. Christians aren’t just ‘not perfect but forgiven’, they ‘forgiven and they are united to christ . . . indwelt by the Spirit of God, and they are empowered by God to live a new life. p 62

7. Christ identifies so closely with the Church, His church is His body, He is the Church. When his church is persecuted Christ is persecuted p.70, 68, “Church is the most concrete expression of your union with Christ.” p.73.
“The distinction we make between how we treat Christ and how we treat his gathered people is not a distinction that Jesus makes” (p74).

8. In the case of the weakest and most broken members of our churches, their very brokenness is their gift to the church. They gift to the church their brokenness, and as we are drawn out of ourselves to serve them, we learn how to be the body of Christ. p.72

Now if that has not whet your appetite to better understand the treasure of what it means to be “in Christ”, check out the video below which is designed to explain a little more. And you can find the book at Matthias, Koorong, and Amazon. I hope it will be a blessing to you!

You may also like:

Holding on to what we already have in Christ – Philippians 3:16

and

Stones or bricks: God lives in us together (1 Corinthians 3:16)

08/11/2013 by sevennotesofgrace

How effective is your music ministry?

Sometimes we musicians get so caught up with organising and making music happen for our church gatherings that we forget to take stock of how things are going. Are we really achieving any of the goals of our ministry? Or is it just a lot of hard work?
For me, music ministry goals are:
* to engage people in enthusiastic praise of our great God who alone is worthy of our praise,
* to provide encouragement for the gathered Body of believers, and
* to declare/teach the great truths that God has revealed of himself and the gospel in His Word.

So how do you measure whether or not we are achieving that, at all?
Like many areas of ministry such results cannot be quantified. God doesn’t keep a score card and send us a report!
However by talking to people and allowing them the freedom to give encouragement and criticism, they can help you know how you are going with your goals. (It is, afterall, God’s people we are serving.) Thick skin is always required in the music department, so give grace to those who are willing to share their views. You need to hear them, whether they be “right” or “wrong” or somewhere inbetween. Godly insights, shared in a loving manner, can lead to greater effectiveness.

One way to measure the engagement of your congregation is simply by joining with them in the praise times during your service. This Sunday, for the first time in a long time, I was able to simply be a member of the congregation, with the opportunity to listen carefully to the most important voices – the voices of the gathered body of Christ. I could easily hear which songs were being sung with enthusiasm, and which were still probably too difficult for the non-musical person to catch on to. It helped me realise which songs needed to be retired, better than if I was actually leading or playing on team.

Speaking of singability I find it really helpful (in the planning stage) to play potential new songs to people who aren’t on the music team. If you find they can sing along by the second hearing (and they think the song is truthful and encouraging) then you probably have something most people in your church can sing, and sing well together (which is, afterall, the whole point).

In King David’s time, the musicians were clothed in white and stood apart from the assembled worshipers: “All the Levites who were musicians—Asaph, Heman, Jeduthun and their sons and relatives—stood on the east side of the altar, dressed in fine linen and playing cymbals, harps and lyres. They were accompanied by 120 priests sounding trumpets.” (2 Chronicles 5:12)
Unlike these musicians we need to see ourselves as part of the gathered body, not removed from, more important or better than them. Often we are the last to know when something isn’t working to encourage people in corporate praise. We must be willing to listen, review and change and adapt to meet our goals – and not be too proud or stubborn to change.

For more help thinking through congregational singing, check out these posts:

10 Principles for Church Singing

Working for those moments of Joy

Sharing the Rich Indwelling Word (Colossians 3:16)

The Synchonicity of Singers

Worship through Congregational singing (a post from Christ Our Hope Church)

26/10/2013 by sevennotesofgrace

Corporate worship is a serious gift!

Being responsible for organising church music is a challenging task and not for the faint of heart. Yet music has a vital pastoral role in the church community. The songs we choose will either teach our people great bible truths, and build them up in the confidence of salvation in Christ – or not! Here is a great explanation of why and how our songs can effectively pastor the Body of Christ:

“Cross-centered songs affect our souls. You’ve heard the Martyn Lloyd-Jones quote about how most of our unhappiness comes from listening to ourselves more than we talk to ourselves. In light of this, corporate worship is a serious gift! Singing in corporate worship is a means of talking to yourself. This provides us an opportunity to stop listening to ourselves, to stop listening to sin, legalism, condemnation, and to begin singing and talking to ourselves. And by the end of corporate worship there is a good chance that we will experience the joy of the gospel. Not very often in our noisy world do we have such an opportunity to talk to ourselves. So what your church is saying in these moments of corporate singing is very important. And what a unique opportunity worship leaders have to transfer the hope of the gospel to people in corporate worship. And to think, you can do this each and every Sunday!”
(Bob Kauflin at Worship Matters)

Don’t ever give up on the pursuit of engaging people in corporate worship – they need it! And that’s why God calls us to the task. It works for His glory, and simultaneously for our good.

It is interesting to note that this is the very thing that sustains music leaders and musicians in their work. When we practice the songs of faith, speaking them to ourselves over and over as we practice at home, and again with a team before the service – all this practice allows the words of the cross, the glory of grace, to sink in more deeply. While some may see it as a big sacrifice to get out of bed early, or give up hours at home preparing music, this is the very thing that renews us in the Lord!

If you are not part of music leading at your church, please encourage those who are to keep working at it, and thank them for their efforts. Our musicians help us to give wise counsel to ourselves through song. This is precisely what David was doing as he penned the Psalms. Psalm 103 contains some of David’s most famous direct counsel to his own soul – and ours:

Bless the Lord, O my soul, and all that is within me, bless his holy name!
Bless the Lord, O my soul, and forget not all his benefits, who forgives all your iniquity,
    who heals all your diseases, who redeems your life from the pit,
    who crowns you with steadfast love and mercy,
    who satisfies you with good so that your youth is renewed like the eagle’s.

What if the music stinks?

Today’s post comes from Blogging Theologically which I have found to be a great site, with heaps of interesting book reviews and other commentary. This one focuses on the question of church music, of how ‘good’ it should be, and how we should respond if it ‘stinks’:

CAN YOU WORSHIP EVEN WHEN THE MUSIC STINKS?: “Not all churches are blessed to have world-class musicians or top-of-the-line sound equipment, or talented people running the board. But, within Christian discussions on worship, it seems like there’s an expectation that all churches should. People (apparently) can’t engage with hymns. They want “simple” and they, apparently, also want really big sound. Our church has a terrific group of musicians leading our congregation in their praise, so I totally get this. When people are giving it their all and the quality is phenomenal, it’s a really great thing to be a part of.

But let me ask you something: can you worship even when the music “stinks”?

This weekend we were visiting a Baptist church in a small town here in Ontario. The atmosphere was fascinating. This is the kind of church where you stand when the pastor enters the sanctuary and wait for him to leave before you make for the exit. The opening processional was handled on an electric organ. The songs were sung by five people (including the pastor) accompanied only by a piano. And they were all songs in keys in which man was never meant to sing.

They weren’t setting the world on fire with their talents. But you know what was cool?

People were singing their hearts out to Jesus in this church.

I saw more than a few people with hands raised (did I mention they were Baptist?). Their hearts were engaged. They were in it to win it.

I have to wonder, is this something we’ve forgotten in the age of the high-tech mega-church?

I’m not saying we shouldn’t all be pursuing excellence to the degree of ability God has given us, but have we lost the ability to be engaged in worship even when we aren’t particularly into the style, when there’s only a piano and a couple of singers, or when the special is a bit off-key?

I know a lot of folks who, if you put them into that kind of setting, would be so distracted they won’t know what to do. I know others who it wouldn’t be phased at all. And I’ve gotta say, the ones who wouldn’t be phased tend to be the more spiritually mature people I know.

They get that worship through song isn’t about what we like necessarily, but about the object of the people’s affection. So you can sing a song that makes you feel like you’re going through puberty a second time because it’s not about whether or not your voice is going to crack. It’s about Jesus and His glory, not our preferences.

How can we do a heart check on this? Here are a couple of options:

1. If you attend a church with high-end music, try to visit a small town church on your next vacation. The music won’t be as good as you’re used to, I can almost guarantee it. But watch how you respond; ask the Holy Spirit to test your heart and see what He does in response.

2. If you’re a worship leader, arrange for a ridiculously streamlined morning of worship. Seriously, pull a Bob Kauflin. Do one guy and a piano or guitar. And then check your inbox. You’ll have a better sense of where people are at by the number of complaints you receive.

Worship isn’t about style or preference, it’s about God. You can worship even when you think the music kind of stinks if you keep that in mind.” (Aaron Armstrong — July 15, 2013)

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C.S Lewis on musical taste & grace Blessings of multi-generational music teams

02/10/2013 by sevennotesofgrace

Laying aside my taste in music

Sharing some challenging thoughts today from Nick Morrow’s blog, about leading songs in church which we don’t necessarily like! In fact we might not like them at all. He suggests that such a situation is a great opportunity to examine our egos (which we should check in at the church door) and our servant heart – do we have one? Other great points include the fact that everyone’s different musical tastes and opinions are equally valid (can you believe it?) and the importance of not expecting the church worship band to be the outlet for all your creative outpouring. I’m sure you’ll find it worth a read!

CONFESSIONS OF A CHRISTIAN MUSIC SNOB (AND MY SIX STEPS TO REHAB)

“Confession: Of all the songs we sing at my church, I like about five of them.

Meaning, actually like them. Meaning, they’re songs I might listen to outside the four walls of my church. . . . There still exists an uncomfortable tension between my artistic tastes and most of the worship music I hear. I want to offer my musical abilities to serve the church, but I also want to be honest. It’s not that I have anything against worship bands. And it’s definitely not that the lyrics are bad. It’s just a matter of opinion.

It’s not about maintaining “artistic integrity” or musical street cred. We all have to check that ego at the door when we come to church. It’s about trying to figure out how to play and lead songs I may not like and still be completely genuine.
At some point every worship leader is going to get asked to sing a song they hate in church. The way that we respond to these requests speaks volumes about our views on servanthood. It’s been a long road for me in releasing my musical pride and embracing worship music. Here are a few steps I found helpful:

1. Realize that your opinions are just that: opinions. Your musical tastes are 100% opinion. No amount of graphs and flowcharts and albums sales will “prove” that your taste is better than anyone else’s. Believe me, I’ve tried. I learned the hard way that my musical tastes are not sovereign. Musical tastes are kind of like taste buds. They can be developed and stretched over time to appreciate more complex things. But the snob who looks down on people with different or less-developed tastes isn’t impressive. He’s just a jerk.

2. Know that your opinions are valid…and so are everyone else’s. I have to catch myself on this a lot. I try to replace phrases like “They’re the best band ever” with phrases like “they’re one of my favorites.” I know the semantics probably don’t matter in most conversations, but it keeps my music-critic ego from swelling up and entering a parallel universe where my musical opinions are absolute truths. Understanding exactly why someone loves polka or nu-metal or funk-tron-burgercore probably isn’t very important. But respecting the fact that they’re entitled to that opinion is. All our tastes are subjective, and that’s okay.

3. Be honest. The world (and the church) doesn’t benefit from your silence about the creative process. If you want to offer alternative opinions, start with humility and be honest. If something sounds cheesy, it’s okay to say it, just be kind and diplomatic about how you communicate that. Remember never to challenge people, but to focus on the group’s creative goals and helping achieve them.

4. Be pragmatic. Remember that music is all about context. You might crank out some Bruce Springsteen while driving on the highway with the windows down, but you’ll likely turn to a very different genre to lull you to sleep. Worship music is the same. Respect the fact that while you may not have any worship music on your “all time favorites” playlist, Beatles and John Coltrane songs don’t make for very good worship tunes.

5. Resolve to submit to church authority on matters of opinion. Don’t ever give your church leadership a chance to question your loyalty to the church. If you’re serving with a large “platform” like worship leading, submission should be foundational anyway. Musicians are known for rebellious attitudes, and I’ve even seen it happen in the church before. Don’t be the rebellious punk rock guy that always quotes the Scripture about Jesus flipping over tables. That may score you “cool” points with scenesters, but not in the Kingdom of God.

6. Use your unique voice to bless the church and further the Kingdom. Every worship musician offers something unique to their church. Find out what your musical offering is, and give it gladly. Don’t worry about whether people “get” what you’re trying to do artistically. There is a place for raw art and creativity, but it’s probably not your local church. You may have a deeper desire to serve the church through your creativity. Your local church may not recognize or need that. Don’t freak out. It’s okay to write, create, and serve outside of your local church. The advent of the Internet makes that easier than ever.
Leading worship in church may not satisfy all of your creative longings. That’s okay. Worship music is about glorifying Jesus and serving your church. “Serving your own agenda” is never part of the deal. The more we realize that, the more we’ll be able to serve with joy and clarity.
Are you willing to sacrifice your artistic tastes for the church? Even if you aren’t getting paid for it? What do you do when you don’t like a song you’re asked to sing in church? I’m convinced that the answers speak to our integrity and willingness to serve. It may not always be easy, but it’s totally possible to serve the church with your musical talents, even when you don’t like the music.

23/09/2013 by sevennotesofgrace

Leading praise and worship is not about us

It also doesn’t depend on us feeling good! I recently read the interesting musings of a worship leader who was feeling temporarily rather flat, and contemplating how to go about leading at church in such a state. I love his conclusions, about the fact that faithfulness to the task is what counts, not the results. I’m sure you’ll be encouraged by the excerpt below.

FEELING FLAT (from Daniel K. Robinson, Voice in Worship)

“. . . My current sense of dejection did have me wondering (as you do) about the role of the worship leader and how we don’t always ‘feel’ like leading people in worship. . . . So let’s hypothesise that I was ‘rostered on’ to lead worship this Sunday. How should I approach such a service? Should I, as I just suggested, ‘rouse’ my emotions and challenge myself to sing God’s praises regardless. Most certainly! God is worthy of my praise, regardless of my situation, circumstance or even emotional state. . . . Can I worship God, moreover can I, and should I lead worship even when I’m not feeling emotionally buoyant?
Well I guess the answer to that query is found in the underlying ethos upon which my worship orientation is founded. For example, as Mark Pierson (2010) writes in The Art of Curating Worship, “If excellence is a primary goal, then the weak, the timid, the depressed, the disabled, the unskilled, the sick, the introverted, the overweight, the less attractive, the poor, and the untalented aren’t going to get a look in” (p. 65). I’m adding to Mark’s list…the temporarily despondent.
Allow me to offer the thought: perhaps my worship (and my leading thereof) in this moment of temporary despondency is worship experienced differently. Sure, on the outside it might not present with the level of excellence I have in the past but I am choosing to worship regardless of my feelings; offering myself as a living sacrifice – imperfectly despondent. Could this actually be a wonderful opportunity, disguised though it may be (even to myself), where my offering of worship is simply in the doing? Sometimes our worship becomes very ‘results’ orientated. . . But maybe this occasion calls me to simply do and be with no expectation of result or outcome. How wonderfully un-gratifying! Now, in my current state of glumness, it’s not about me…it has to be all about Him. In the midst of the moment it may well be that God touches me in a refreshing way and I come through the experience changed and uplifted. Equally, it might not happen like that. But that should not be my reasoning anyway. I don’t worship simply for ‘what’s in it for me’. At least I shouldn’t…and this circumstance (my feeling flat) has actually gifted me with the opportunity to make sure that the worship service can’t be about me – but about the one to whom we offer our praise!”

(Read the full article here: Voice in Worship)

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Working for those moments of joy Sharing the rich, indwelling Word

21/09/2013 by sevennotesofgrace

Jesus, friend of sinners

Jesus, Friend of Sinners is the title of a beautiful song from Casting Crowns’ most recent album “Come to the Well“. It is a song which speaks of need for us to show the love of Christ to others, to show what we stand for . . . that we stand for and by the grace that has been shown to us in Christ. We stand for His forgiveness, won on the cross. We want the world to know that our God shows unmeasured grace and love to those who are his enemies. We don’t want the world to define Christians as those who simply oppose everything, and who stand against them. Jesus is the only righteous Judge of those for whom he died, so let’s leave the judging to him. Let this resounding challenge (from the chorus) go with you today:

“Oh Jesus, friend of sinners, Open our eyes to the world at the end our pointing fingers
Let our hearts be led by mercy, Help us reach with open hearts and open doors
Oh Jesus, friend of sinners, Break our hearts for what breaks Yours.”

Jesus, Friend of Sinners

Jesus, friend of sinners, We have strayed so far away
We cut down people in Your name
But the sword was never ours to swing
Jesus, friend of sinners, The truth’s become so hard to see
The world is on their way to You
But they’re tripping over me

Always looking around but never looking up, I’m so double minded
A plank-eyed saint with dirty hands and a heart divided

Oh Jesus, friend of sinners
Open our eyes to the world at the end our pointing fingers
Let our hearts be led by mercy
Help us reach with open hearts and open doors
Oh Jesus, friend of sinners
Break our hearts for what breaks Yours

Jesus, friend of sinners
The One whose writing in the sand made the righteous turn away
And the stones fall from their hands
Help us to remember we are all the least of these
Let the memory of Your mercy
Bring Your people to their knees

Nobody knows what we’re for, only what we’re against
When we judge the wounded
What if we put down our signs, Crossed over the lines
And loved like You did

You love every lost cause, You reach for the outcast
For the leper and the lame, They’re the reason that You came
Lord, I was that lost cause, And I was the outcast
But You died for sinners just like me, a grateful leper at Your feet

‘Cause You are good, You are good
And Your love endures forever
And I was the lost cause, And I was the outcast
You died for sinners just like me
A grateful leper at Your feet

Listen to Mark Hall speak about the story behind the song – click HERE

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19/09/2013 by sevennotesofgrace

Why men have stopped singing in church

This is one of the most thought-provoking articles I have read about congregational singing in quite a while. As musicians we appreciate the freedom we now enjoy to learn and teach an infinite number of great songs in our gatherings. We are no longer limited to the several hundred in our now passé hymn book. But what is the impact of this change, particularly for men? This post suggests many things we should perhaps take heed of. It reminds me of the benefits that come from sticking to a smaller playlist for a term, as people get to know songs better. Let me know what you think.

WHY MEN HAVE STOPPED SINGING IN CHURCH

It happened again yesterday. I was attending one of those hip, contemporary churches — and almost no one sang. Worshippers stood obediently as the band rocked out, the smoke machine belched and lights flashed. Lyrics were projected on the screen, but almost no one sang them. A few women were trying, but I saw only one male (other than the worship leader) making the attempt.

A few months ago I blogged, “Have Christians Stopped Singing?” I did some research, and learned that congregational singing has ebbed and flowed over the centuries. It reached a high tide when I was a young man – but that tide may be going out again. And that could be bad news for men.

First, a very quick history of congregational singing.

Before the Reformation, laypersons were not allowed to sing in church. They were expected to stand mute as sacred music was performed by professionals (priests and cantors), played on complex instruments (pipe organs), and sung in an obscure language (Latin).

Reformers gave worship back to the people in the form of congregational singing. They composed simple tunes that were easy to sing, and mated them with theologically rich lyrics. Since most people were illiterate in the 16th century, singing became an effective form of catechism. Congregants learned about God as they sang about God.

A technological advance – the printing press – led to an explosion of congregational singing. The first hymnal was printed in 1532, and soon a few dozen hymns became standards across Christendom. Hymnals slowly grew over the next four centuries. By the mid twentieth century every Protestant church had a hymnal of about 1000 songs, 250 of which were regularly sung. In the church of my youth, everyone picked up a hymnal and sang every verse of every song.

About 20 years ago a new technological advance – the computer controlled projection screen – entered America’s sanctuaries. Suddenly churches could project song lyrics for all to see. Hymnals became obsolete. No longer were Christians limited to 1,000 songs handed down by our elders.
At first, churches simply projected the songs everyone knew – hymns and a few simple praise songs that had come out of the Jesus Movement. People sang robustly.

But that began to change about ten years ago. Worship leaders realized they could project anything on that screen. So they brought in new songs each week. They drew from the radio, the Internet, and Worship conferences. Some began composing their own songs, performing them during worship, and selling them on CD after church.
In short order we went from 250 songs everyone knows to 250,000+ songs nobody knows.

Years ago, worship leaders used to prepare their flocks when introducing a new song. “We’re going to do a new song for you now,” they would say. “We’ll go through it twice, and then we invite you to join in.”
That kind of coaching is rare today. Songs get switched out so frequently that it’s impossible to learn them. People can’t sing songs they’ve never heard. And with no musical notes to follow, how is a person supposed to pick up the tune?
And so the church has returned to the 14^th century. Worshippers stand mute as professional-caliber musicians play complex instruments, sung in an obscure language. Martin Luther is turning over in his grave.

What does this mean for men? On the positive side, men no longer feel pressure to sing in church. Men who are poor readers or poor singers no longer have to fumble through hymnals, sing archaic lyrics or read a musical staff.
But the negatives are huge. Men are doers, and singing was one of the things we used to do together in church. It was a chance to participate. Now, with congregational singing going away, and communion no longer a weekly ordinance, there’s only one avenue left for men to participate in the service – the offering. Is this really the message we want to send to men? Sit there, be quiet, and enjoy the show. And don’t forget to give us money.

There’s nothing wrong with professionalism and quality in church music. The problem isn’t the rock band, or the lights, or the smoke machine. The key is familiarity. People enjoy singing songs they know.
How do I know? When that super-hip band performed a hymn, the crowd responded with gusto. People sang. Even the men.

http://www.patheos.com/blogs/afewgrownmen/2013/05/why-men-have-stopped-singing-in-church/

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14/08/2013 by sevennotesofgrace

10 Principles for church singing

Kevin de Young is writing lots of great material over at the Gospel coalition. If you have never visited there I would encourage you to do so. Today I’m sharing a summary of his ‘Ten Principles for Church songs’ which has been published in two parts. I have included his introduction, and then a summary of his ten principles (with some teasers) – which I would thoroughly endorse! To read his full explanation of each point you will need to click through to the actual website. It would make great material to work through with the church leadership or your music team, to clarify issues, prevent problems and encourage one another:

“When it comes to singing on Sundays, churches have more options than ever before. From hymnals to Hillsong to homegrown creations, pastors and worship leaders have thousands of songs to choose from. A nice problem to have. But still a problem. No music leader or pastor can keep up. No church can sing all the great hymns and all the latest greatest songs on the radio. No musician can excel in all the available styles. No leader can please all the people all the time. . . There are other questions too. What sort of instruments should we use? How much should cultural context come into play? Is there only one right kind of song to sing? If not, are there any wrong ways? I can’t possibly answer all those questions. But there are some general principles we can use to make wise decisions with our church music. Let me suggest ten principles for congregational singing.

1. Love is indispensable to church singing that pleases God.
Love is indispensable when we sing and when we are trying to discern what is best to sing.
2. Our church singing is for God’s glory and the edification of the Body of Christ.
Congregational song is part of the teaching ministry of the church.
3. We ought to sing to the Lord new songs.
Sometimes I want to ask to very conservative Christians: “Do you really think the last good song of praise to Jesus has been written?”
4. Church singing should swim in its own history of church singing.
We should swim in this big ocean of church music, an ocean that is continually receiving new streams.
5. Sing the Psalms
It’s strange, even though we are commanded to sing Psalms and even though Psalms have been at the center of the Church’s singing for centuries, still we easily ignore the 800 pound gorilla in the middle of our Bibles.
6. We should strive for excellence in the musicality and the poetry of the songs we sing.
Some songs are simply deep and some are deeply simple, but there is a way to do both well. With so many songs to choose from, there’s no reason churches can’t make an effort to sing songs with some sense of poetry and musical integrity.
7. The main sound to be heard in the worship music is the sound of the congregation singing.
What people want to see in your worship is that you mean it. And no matter how chill or how reverent your worship is, if no one is singing, it’s lame.
8. The congregation should also be stretched from time to time to learn new songs and broaden its musical horizons.
Every church will have a musical center. You should not reinvent the center every week. But you should not be enslaved to it either.
9. The texts of our songs should be matched with fitting musicality and instrumentation.
Musical style is not neutral, but it is elastic. Music conveys something. Some melodies are too syrupy or too raucous or too romantic.
10. All of our songs should employ manifestly biblical lyrics.
In all our songs we want to be teaching people about God. If we aren’t learning good theology and biblical truth from our songs, then either we don’t care much about our songs or we don’t care much about rich biblical truth, or both.”

02/08/2013 by sevennotesofgrace

Hymn lines that didn’t stand the test of time

Today’s post comes from a ‘Gathered Worship Director’ (I like that!) in New Zealand – the original article can be found here at Chong’s Worship: I think you’ll find it quite amusing, but at the same time remember that some lines of our modern hymns may sound equally as strange in a few hundred years time!

God’s blessed the church with hundreds of memorable hymns of the faith. Christians and non-Christians alike recognise lines such as “Amazing Grace! How sweet the sound…”, “How Great Thou Art”, “Great is Thy Faithfulness”, and “Abide with me, fast falls the eventide…” (I’m sure you can think of many of your own examples).

For a bit of a laugh, here are a couple of examples of old hymn lyrics that, although theologically sound, have thankfully fallen out of use:

Stanza 6 in “How Firm A Foundation”:

Even down to old age all My people shall prove
My sovereign, eternal, unchangeable love;
And when hoary hairs shall their temples adorn,
Like lambs they shall still in My bosom be borne.

(Hoary means ancient, aged.)

Stanza 9 of Charles Wesley’s “Come Thou O Traveller Unknown”:

’Tis Love! ’tis Love! Thou diedst for me!
I hear Thy whisper in my heart;
The morning breaks, the shadows flee,
Pure, universal love Thou art;
To me, to all, Thy bowels move;
Thy nature and Thy Name is Love.

The term “bowels” used to mean the seat of one’s emotion (what we refer today as our heart).

The first line of Isaac Watt’s “Hark the Herald Angels Sing” was originally:

“Hark! How all the welkin rings, ‘Glory to the King of Kings.”

(Welkin refers to the highest heavens.)

And from verse 3 of Joseph Hart’s hymn, “Salvation to the Lamb”:

When we incurred the wrath of God, Alas! what could we worse?
He came, and with his own heart’s blood Redeem’d us from the curse.
This paschal Lamb, our heav’nly meat, was roasted in the flame.
Repeat, ye ransomed souls, repeat, “Salvation to the Lamb!”

While I like Joseph Hart’s sincere attempt to link Jesus to the Passover lamb in Exodus, this particular imagery is um… hard to stomach (thankfully other people have tried rewriting it).

To fit the language

So why did these hymnwriters use those words? To fit the language of the people at that time, who would have understood the phrases and meanings without any hint of snickering.

Brian Wren in his book Praying Twice adds some helpful insight (p.297-8):

“… The need for change sometimes overrides the need for familiarity… In the Preface to his Hymns and Spiritual Songs, [Isaac Watts] says that “what is provided for public worship should give to sincere consciences as little vexation and disturbance as possible” However, “where any unpleasing word is found, he that leads the worship may substitute a better; for (Blessed be God) we are not confined to the words of any Man in our public solemnities.”

“However much we value our past, our present interest in congregational song is not antiquarian, but immediate. We sing to God from today, in lyrics which — whether ancient or recent — express today’s faith. When a lyric from the past gets too archaic to be understood, or too out of sync with today’s hope, faith, and issues to speak for us, it will eventually cease to be sung, or amended to keep it singable.“

I was reflecting awhile back on whether Christians had to hang on to obscure hymn lyrics. Ultimately, I think Brian Wren is right – if a line is worth understanding and remembering, it will stay in use. And if it makes you think about your bowels, it’s probably not worth keeping!