Gracefully Broken

Enjoying this new Matt Redman song, from his latest album “Glory Song”

Advertisements

Standing your ground in hope – Lauren Daigle’s “O’Lord”

“This hope is a strong and trustworthy anchor for our souls. It leads us through the curtain into God’s inner sanctuary.” (Hebrews 6:19 NLT)

There is a unique perspective offered in this song, sung by Lauren Daigle: that we stand in and on our hope in the Rock of Christ. It is all about Him. He is the source of our hope, the anchor of hope. The grace that comes to us in Him, both in what He has done and will do, provides an unshifting hope, more valuable than any material thing the world offers. We can stand our ground and maintain our hope only because Christ gives us the strength to do so. This strength comes in His Spirit, living in us. He is completely trustworthy – our salvation is complete in the Cross of Christ. I trust this song will be a blessing to you today!

O’ Lord

Verse 1

Though time it seems like I’m coming undone
This walk can often feel lonely
No matter what until this race is won

Pre-Chorus

I will stand my ground Where hope can be found
I will stand my ground Where hope can be found

Chorus

O Lord O Lord I know you hear my cry
Your love is lifting me above all the lies
No matter what I face this I know in time
You’ll take all that is wrong and make it right
You’ll take all that is wrong and make it right

Verse 2

Your strength is found at the end of my rope
Your grace it reaches to the hurting
Still through the tears and the questioning why

Bridge

Make it right, Make it right right
I will stand my ground
I will stand my ground

 

What to do with ‘Jesus, Son of God’

Following on my recent conundrum about keys, capos and congregations I’d like to explore the dilemma I am having with this great Chris Tomlin song, and the best key to sing it in at church. Firstly, have a listen and read the words (on the video, or scroll to the end):

In this version, it is played with Capo 4 in G, which means that, at pitch, they are singing in key of B (which has five sharps – the reason they are using a capo).

Since the lyrics of this song are just too good to pass up, we found the best way around the issue of the range, is to sing it in D. This means the range of the melody falls between D and A, which most people can manage! Unfortunately, it also means that the melody in the chorus ends up lower than it is in the verse – but in order for the greatest number of people to sing it well together (which is the point), we decided to go this way. It seems to be working well!

A few other thoughts about this Key choice:
1. If you are into adding harmonies with backing singers, you can easily add some harmonies above the melody in the chorus (a third or 5th above). You could even teach some to your congregation.
2. Some male singers could jump up the octave to help build a crescendo in part of a verse or chorus. This could be modeled by your male song-leader.

Let me know how you go. Here are the lyrics again:

Jesus Son Of God

Verse 1

You came down from Heaven’s throne
This earth You formed was not Your home
A love like this the world had never known
A crown of thorns to mock Your name
Forgiveness fell upon Your face
A love like this the world had never known

Chorus

On the altar of our praise
Let there be no higher name
Jesus Son of God
You laid down Your perfect life
You are the sacrifice
Jesus Son of God
(You are Jesus Son of God)

Verse 2

You took our sin You bore our shame
You rose to life You defeated the grave
And a love like this the world has never known
‘Cause You took our sin You bore our shame
You rose to life You defeated the grave
A love like this the world has never known

Bridge

Be lifted higher than all You’ve overcome
Your name be louder than any other song
There is no power that can come against Your love
The cross was enough
The cross was enough
(The cross was enough)
(The cross was enough)

Ending

The cross was enough
The cross was enough

Songs for 1 Corinthians: ‘Cross-shaped Love’

outline of white heart, with cross in centre, on black and white backgroundWhen putting a roster of church songs together, I often search for lists of songs which would suit a sermon series on a particular book of the Bible. Mostly, I don’t find what I’m looking for and instead create my own list. I realise these lists, stored away in my dropbox files, would actually be helpful to many other people. Naturally your repertoire may be different from ours. We use many Sovereign Grace, Getty and Townend, Emumusic, Redman, Tomlin and Baloche, along with a selection of hymns and Hillsong. If this sounds similar to your own range of song sources, then hopefully you will find something useful here. This first list of songs is relevant to 1 CORINTHIANS. Enjoy!

All I have is Christ (Sovereign Grace)

Be thou my vision (hymn)

Before the throne of God above (hymn)

Come Hear the Angels sing (EMU)

Cornerstone (Hillsong)

How deep the Fathers love for us (Townend)

How great is your love, oh Lord (No eye has seen)

I will boast  (Paul Baloche)

I will glory in My Redeemer (Sovereign Grace)

Jesus Son of God (Tomlin)

Jesus Thankyou (Sovereign Grace)

Man of Sorrows (Hillsong)

May the Mind of Christ (Mark Peterson EMU)

My Hope (Paul Baloche)

Overflowed (Trevor Hodge)

Oh the deep deep love of Jesus (Sovereign Grace)

Show us Christ (Sovereign Grace)

Stronger (Hillsong)

The Church’s one foundation (hymn)

The Power of the Cross (O to see the Dawn) (Townend and Getty)

Undivided  (EMU)

Watch “CityAlight – I Want to Know You”

Am loving this song from City Alight, which perfectly sums up the ongoing desire to grow in knowing Christ.

Lyrics

I’ve tried in vain a thousand ways

My fears to quell, my hopes to raise

But what I need, Your word has said

Is ever, only, Jesus

You died, you live, you reign, you plead

There’s love in all your words and deeds

This weary heart finds all it needs

In ever, only, Jesus

I want to know you, Jesus my Lord

King of the Heavens, King of my soul

I trade my treasure and all my rewards

Jesus to know you, then know you more

Though some should curse me for your name

I have no fear, I have no shame

You stand with me for all my days

My ever, only, Jesus

Like wave after wave on the ocean

Like all of the sand on the shore

Your beauty and glory are endless

O Jesus I must know you more

Resources

Chords & Lyrics

Credits

Michael Farren, Jonny Robinson, Rich Thompson, James Proctor

CCLI 7073331

http://www.cityalight.com/i-want-to-know-you/

City Alight

I’m currently listening to a new album from the people at City Alight Music. Check out this YouTube playlist with lyrics. I hope you will find some inspiration here. I’m particularly enjoying ‘Saved My Soul‘ and ‘Only a Holy God‘. (You can also visit them on Facebook where you will find this vision statement: Our vision is to create music that declares the name of JESUS, promotes theological truth & encourages God’s Church. Part of St Paul’s Castle Hill, Australia.)

Let Joy take temptation’s place

I just love the poetry in this song, which challenges us to see ourselves as a people ‘built by hands of love’ to ‘fight back darkness with delight‘. We are to be filled with God’s presence (we are your ‘cathedrals’). And I find this a great concept too: replacing temptation with Joy! These are things we can choose to focus on in our day, to actively make into habits in our living and attitudes. I trust you will be encouraged by these words.

“Cathedrals” by Tenth Avenue North

We were built by the hands of love
Redeemed in spite of what we’ve done
We are the spirit’s dwelling place
And now, children of the light
Fight back darkness with delight
Lift your eyes up to His face
Let joy take temptation’s place
Joy takes temptation’s placeOpen up our souls to feel Your glory
Lord, we are a desperate people
Your cathedrals
God, fill this space
Let joy take temptation’s place
We will taste and see You as You are

Father, let Your kingdom come
Keep us from our lesser loves
Nothing else can satisfy
Like the joy found in Your eyes
There’s joy found inside Your eyes
Your eyes

Open up our souls to feel Your glory
Lord, we are a desperate people
Your cathedrals
God, fill this space
Let joy take temptation’s place
We will taste and see You as You areMay we see You as You are

And our hungry souls reach out to whatever fills us up
But we’ll keep on falling down unless we fall in love
Our hungry souls reach out to whatever fills us up
But we keep on falling down until we fall in love

Lord, Lord, Lord

Watch “Paul Baloche Vocal Workshop”

This looks like a really great workshop from a humble guy who became a worship/song leader. It would be great to watch together with your music team. I haven’t watched it all yet, but what I have seen so far is really helpful.

7 tips for those who play melody instruments in a church band.

image
Players of melody instruments (flute, saxophone, violin etc.) are often left to their own devices to work out what to play in the church band. Listening to what other good players do can help, but sometimes it still remains a mystery. Today I’m sharing the seven principles I work with (in my head) when I’m playing in that role (though I’m most often on keys or vocals). I hope you will find them helpful.

Melody instruments need to see their place in the band rather like the cherries on the top of a cheesecake. The cheesecake still holds together without them (the bass, rhythm and harmonies provide the main body of the music), yet melody instruments can add a great deal of sweetness and beauty, in small doses – especially if they refrain from playing the melody. Here are my top 7 pointers for being an effective single-line instrument in a church band:

1. Know why you are in the band. You are there to serve, as part of an ensemble, to add to the sound in an effective way. It is not the time for you to seek the limelight and show off your solo skills (even though that’s what you have probably been trained to do). Any note or riff you play should enhance the song and the impact of the lyrics. Don’t play just for the sake of it.

2. Less is more. Melody instruments don’t need to play all the time (please don’t!). It is better to add something small and worthwhile, a fill (when singers aren’t singing), or a harmony line for a line or two, than to play too much. Some melody can be useful in the introduction to remind people how a song goes, or when teaching a new song, but other than that your task is to add some light and shade, to help with dynamic build up to chorus, and help set the tone of certain sections of the song. If you find yourself playing start to finish, you are playing too much. If you find that you are standing about doing nothing for much of the time you have probably found a good balance.

3. Play by ear. Most of the effective things you could add to a piece will not be written on the sheet music. You will need to pencil them in during practice, or else learn to improvise. If you know the key (sharps and flats) and know the shape of the melody there is much you can do! Listen to professional recordings of worship music and learn from what the instruments are doing. Copy the types of things you hear that work to add colour and meaning to a song.

4. Fills. Trading phrases is a good thing to learn how to do during the rests of the vocal melody. If the melody goes up you can take a few steps down. If the melody goes down, fill with notes going up. Opposite movement can be quite effective. Think of your fills as a musical response or comment to the words that have been sung. Play along to recorded music to practice this skill.

5. Harmonies. On recorded music you will hear good and limited use of harmonies played by melody instruments. Again, copy good ideas you hear. Write them out if needed. If there is lots of movement in the melody line it is best to harmonise with sustained notes. Choose a note from the chord that is being played at that point. Harmonies work well a 3rd below the melody and up the octave (but it’s a rule that can be broken). Build your confidence by playing along with recorded music. And even if you can play beautiful harmonies for the whole song, don’t. It is best to drop out for whole verse at a time, so that when you do contribute it is effective. Less is more.

6. Improvising. Many people find it helpful to use the Pentatonic (5 note) scale to help with improvising fills. In the key of C major the notes in this scale would be C D E G and A (notes 1,2,3,5,6, of the scale). Play along with recorded songs (of ones you use at church) and try it out.

7. Know the song really well. With all these things I’ve described above you will be better able to effectively add to the arrangement of a song if you know the melody and structure well. It takes time and practice and making mistakes to figure out how to play as a melody instrument in a church band, yet it is a skill worth learning….for the glory of God as His people praise Him together.

Flashback: God is God

“Oh, the depth of the riches of the wisdom and knowledge of God! How unsearchable his judgments, and his paths beyond tracing out!” (Romans 11:33)

I recently listened to an old favourite album of mine by Steven Curtis Chapman and was struck by the words of the song, God is God. I won’t try to comment on what is significant about these words. There are so many treasures here. But they hold one simple and powerful lesson, that takes most of us a lifetime to realise: Only God is God.

“God Is God”
(Listen here on Spotify)

And the pain falls like a curtain
On the things I once called certain
And I have to say the words I fear the most, I just don’t know

And the questions without answers
Come and paralyze the dancer
So I stand here on the stage afraid to move, afraid to fall,
oh, but fall I must on this truth that my life has been formed from the dust

[Chorus]
God is God and I am not
I can only see a part of the picture He’s painting
God is God and I am man
So I’ll never understand it all
For only God is God

And the sky begins to thunder
And I’m filled with awe and wonder
‘Til the only burning question that remains
Is who am I

Can I form a single mountain
Take the stars in hand and count them
Can I even take a breath without God giving it to me
He is first and last before all that has been
Beyond all that will pass

[Chorus]

Oh, how great are the riches of His wisdom and knowledge
How unsearchable for to Him and through Him and from Him are all things

So let us worship before the throne
Of the One who is worthy of worship alone

[Chorus]

From the album Declaration (2001)
image