Are you amazed that you belong to Christ?

BEAUTY-OF-THE-CHRIST“If you really see and feel your helplessness and God’s deliverance, you will be amazed that you are a Christian. You will be amazed that your heart inclines to the beauty of Christ. You will be amazed at every good resolve, and every impulse to praise, and every good deed.”

http://www.desiringgod.org/articles/six-practical-reasons-free-will-matters



What to do with ‘Jesus, Son of God’

Following on my recent conundrum about keys, capos and congregations I’d like to explore the dilemma I am having with this great Chris Tomlin song, and the best key to sing it in at church. Firstly, have a listen and read the words (on the video, or scroll to the end):

In this version, it is played with Capo 4 in G, which means that, at pitch, they are singing in key of B (which has five sharps – the reason they are using a capo).

Since the lyrics of this song are just too good to pass up, we found the best way around the issue of the range, is to sing it in D. This means the range of the melody falls between D and A, which most people can manage! Unfortunately, it also means that the melody in the chorus ends up lower than it is in the verse – but in order for the greatest number of people to sing it well together (which is the point), we decided to go this way. It seems to be working well!

A few other thoughts about this Key choice:
1. If you are into adding harmonies with backing singers, you can easily add some harmonies above the melody in the chorus (a third or 5th above). You could even teach some to your congregation.
2. Some male singers could jump up the octave to help build a crescendo in part of a verse or chorus. This could be modeled by your male song-leader.

Let me know how you go. Here are the lyrics again:

Jesus Son Of God

Verse 1

You came down from Heaven’s throne
This earth You formed was not Your home
A love like this the world had never known
A crown of thorns to mock Your name
Forgiveness fell upon Your face
A love like this the world had never known

Chorus

On the altar of our praise
Let there be no higher name
Jesus Son of God
You laid down Your perfect life
You are the sacrifice
Jesus Son of God
(You are Jesus Son of God)

Verse 2

You took our sin You bore our shame
You rose to life You defeated the grave
And a love like this the world has never known
‘Cause You took our sin You bore our shame
You rose to life You defeated the grave
A love like this the world has never known

Bridge

Be lifted higher than all You’ve overcome
Your name be louder than any other song
There is no power that can come against Your love
The cross was enough
The cross was enough
(The cross was enough)
(The cross was enough)

Ending

The cross was enough
The cross was enough

Hymn books: what we’ve lost and gained.

blue hymn booksI’ve really enjoyed following some blog discussions about hymnals in recent weeks (which you can find at the end of this post). In the space of around 30 years most church congregations have moved away from using them at all. Those piles of well-thumbed and well-sung collections of hymns have disappeared from church foyers and from the experience of many church-goers. In fact, if you are under the age of twenty you may have no memories at all of singing from a hymn book.

Last night I pulled out my little, moth-eaten, blue hymnal at the dinner table.  My ‘elderly’ teenagers and twenty-year-old were bemused by the little tome. And while not entirely oblivious to the contents, they did find my rendition of the drawn out and repetitive phrase from “All Hail the Power of Jesus’ Name” quite amusing: ‘And Crow… ow.. ow.. own Him! Crown Him! Crown Him! Crown Him and Crown Him Lord of All’. (Who said hymns were easy to sing, and not repetitive?)

Whenever there is a great cultural shift in the way something is done there will naturally be losses, and gains. (The internet itself is one giant case in point. While it allows me the opportunity to write and share with people on the other side of the world it can also distract me from giving good attention to the people under my roof!)

And of course we shouldn’t forget two things: the church has done without hymn books before – when people repeated or memorised the lyrics; and, the collection of hymns we have used in church in the last few hundred years are not actually the ones referred to in the Bible, in Ephesians 5:18-19. Those hymns and spiritual songs have been lost forever.

For me, the move away from hymn books has meant the loss of something tangible, a bound book of songs for the church, which have been agreed on and published for their value in helping us praise God, in spirit and truth. People could own or borrow a hymn book and look up songs and reflect on the lyrics. As a child who loved words, I spent many a Sunday service pouring over the hymn book (especially if the sermon was very long or over my head). I devoured both the poetry and theology they contained. They challenged me to learn new words and concepts about God. I was also fascinated by the names of the hymn writers and the years they lived, and wrote, as well as the number of hymns written by each person. This little blue book was something of a little Blue Box, bigger on the inside, and a portal to the rich history of the church for the past few centuries. (If you understand this Doctor Who reference, you may like to visit my old Blue Box Parables blog, on finding Christ in popular culture.)

While I have been brought up on hymns, (and learned to sing harmony because of them, and probably learned to read music from the hymn book on the piano at home) I am not mourning their loss. I have been part of the movement of change, and spent the last few decades looking for spiritual songs and hymns which will edify and teach us well. Alongside this new body of songs, most churches retain the ‘good old hymns’ in their repertoire, hymns that are biblical and continue to encourage people today. Modern adaptations of hymns also help keep the ones worth singing alive (while those full of obscurities and archaic phrases are happily shelved for good).

The authors of the following posts have explored these losses and gains in much more detail and you can read them at your leisure. But to close, I will quote myself for a change, and refer you back to a post written in the defense of new songs in 2012.

In a nutshell, I argued that new songs say that God is doing something here and now, not just a few hundred years ago: “. . . it also comes down to the concept of “renewing our minds”. By hearing the gospel explained in new and fresh ways, our understanding of God and the gospel of His grace is strengthened and deepened. That has got to be a good thing.” 

You will find that Tim Challies also picks up this point in the third post below (which is his own response to his first post about things we lost when hymn books were set aside). The second and fourth links below are other people’s responses to Challies’ original post.

I would love to hear your thoughts on this topic. Please comment below. Blessings!

https://www.challies.com/articles/what-we-lost-when-we-lost-hymnals

https://gregoryktyree.wordpress.com/2017/04/06/what-we-gained-when-we-gave-up-our-hymnals/

https://www.challies.com/articles/what-we-gained-when-we-lost-the-hymnal

https://chrislinzey.com/2017/04/09/hymnals-we-dont-need-no-stinkin-hymnals/

https://sevennotesofgrace.com/2012/07/31/new-songs-say-god-is-doing-something-now/

Songs for 1 Corinthians: ‘Cross-shaped Love’

outline of white heart, with cross in centre, on black and white backgroundWhen putting a roster of church songs together, I often search for lists of songs which would suit a sermon series on a particular book of the Bible. Mostly, I don’t find what I’m looking for and instead create my own list. I realise these lists, stored away in my dropbox files, would actually be helpful to many other people. Naturally your repertoire may be different from ours. We use many Sovereign Grace, Getty and Townend, Emumusic, Redman, Tomlin and Baloche, along with a selection of hymns and Hillsong. If this sounds similar to your own range of song sources, then hopefully you will find something useful here. This first list of songs is relevant to 1 CORINTHIANS. Enjoy!

All I have is Christ (Sovereign Grace)

Be thou my vision (hymn)

Before the throne of God above (hymn)

Come Hear the Angels sing (EMU)

Cornerstone (Hillsong)

How deep the Fathers love for us (Townend)

How great is your love, oh Lord (No eye has seen)

I will boast  (Paul Baloche)

I will glory in My Redeemer (Sovereign Grace)

Jesus Son of God (Tomlin)

Jesus Thankyou (Sovereign Grace)

Man of Sorrows (Hillsong)

May the Mind of Christ (Mark Peterson EMU)

My Hope (Paul Baloche)

Overflowed (Trevor Hodge)

Oh the deep deep love of Jesus (Sovereign Grace)

Show us Christ (Sovereign Grace)

Stronger (Hillsong)

The Church’s one foundation (hymn)

The Power of the Cross (O to see the Dawn) (Townend and Getty)

Undivided  (EMU)

Behold the Lamb (Communion Hymn)

Sometimes it is easy to miss out on a really great song that could be a great encouragement for your congregation to sing together. We have been using this four-verse modern hymn for a while, courtesy of writers Keith and Kristyn Getty, with Stuart Townend. It is great for communion/Lord’s supper and Easter celebrations. If you have missed it, then it’s time to catch up. Blessings!

“Behold the Lamb who bears our sins away,
Slain for us – and we remember
The promise made that all who come in faith
Find forgiveness at the cross.
So we share in this bread of life,
And we drink of His sacrifice
As a sign of our bonds of peace
Around the table of the King.

The body of our Saviour Jesus Christ,
Torn for you – eat and remember
The wounds that heal, the death that brings us life
Paid the price to make us one.
So we share in this bread of life,
And we drink of His sacrifice
As a sign of our bonds of love
Around the table of the King.

The blood that cleanses every stain of sin,
Shed for you – drink and remember
He drained death’s cup that all may enter in
To receive the life of God.
So we share in this bread of life,
And we drink of His sacrifice
As a sign of our bonds of grace
Around the table of the King.

And so with thankfulness and faith we rise
To respond, – and to remember
Our call to follow in the steps of Christ
As His body here on earth.
As we share in His suffering
We proclaim Christ will come again!
And we’ll join in the feast of heaven
Around the table of the King ”

— WORDS AND MUSIC BY KEITH AND KRISTYN GETTY & STUART TOWNEND

What we’re singing this Easter

Today a good friend asked me what songs were on our music roster for next weekend. It then struck me that it might be a useful list to share more widely. Here it is. I’d love to hear what your church is singing . . . and where in the world you are. Please comment!

GOOD FRIDAY

Glories of Calvary (Sovereign Grace)

Man of Sorrows (Hillsong)

Behold the Lamb (Getty)

The Power of the Cross (Getty)

EASTER SUNDAY

The Father’s Love (Sovereign Grace)

Christ is Risen, He is Risen Indeed (Getty)

Grace has now appeared (EMU)

How deep the Father’s Love (Townend)

Here is the Spotify playlist

Book of Luke in song

This is a post about an album and a song which is no longer new News, but in case you missed it, it may be worth a look: Songs for the Book of Luke by The Gospel Coalition

http://thegospelcoalition.org/blogs/tgc/2013/11/05/luke-album-named-best-of-best/

You can follow links here to listen and access sheet music for all the songs on the album: http://www.thegospelcoalition.org/lukealbum/
https://thegospelcoalition.bandcamp.com/album/songs-for-the-book-of-luke

luke-songCome to the Feast (track 9) is a song about the lavish banquet of God’s grace that abounds for any and all who would have it. Yet, it is also a call for the church to serve as heralds of this feast, both to those who know their need (the poor) and those who don’t (the rich). It comes from the parable of the great banquet found in Luke 14:16-24 where Jesus gives us a picture of the gracious kingdom of God that woos and welcomes the most broken, sinful, and lost of people. The musical style is not the mainstream. You may find it a refreshing change. (If used for the congregation, I would suggest the tempo could go up a little.)

COME TO THE FEAST

Go to the highways and hedges, go to the farthest of fields
Go and compel, the sick and the well
For our Father’s house will be filled

Go to the streets of the city, bring in the crippled and blind
All who would taste this banquet of grace
Must come and waste no more time.

Chorus
Come to the feast, come to the table
The great and the least, the rich and the poor
Come to the feast, come to the table,
Come and hunger no more

In the robe of the lamb you’ll be covered
Dressed in his pure righteousness
For all of your guilt, his blood it was spilt
So come by your Father be blessed

Words and Music by Jeff Lawson © 2012 Jeff Lawson Music

 

Real Love

This is a cover of Hillsong Young and Free – Real Love, sung by a young man I have been privileged to get to know this year, Myles Vele. He came as an intern to teach at my school and will continue with us in 2017. Hope you enjoy this. Blessings to all.

Watch “Paul Baloche Vocal Workshop”

This looks like a really great workshop from a humble guy who became a worship/song leader. It would be great to watch together with your music team. I haven’t watched it all yet, but what I have seen so far is really helpful.

7 tips for those who play melody instruments in a church band.

image
Players of melody instruments (flute, saxophone, violin etc.) are often left to their own devices to work out what to play in the church band. Listening to what other good players do can help, but sometimes it still remains a mystery. Today I’m sharing the seven principles I work with (in my head) when I’m playing in that role (though I’m most often on keys or vocals). I hope you will find them helpful.

Melody instruments need to see their place in the band rather like the cherries on the top of a cheesecake. The cheesecake still holds together without them (the bass, rhythm and harmonies provide the main body of the music), yet melody instruments can add a great deal of sweetness and beauty, in small doses – especially if they refrain from playing the melody. Here are my top 7 pointers for being an effective single-line instrument in a church band:

1. Know why you are in the band. You are there to serve, as part of an ensemble, to add to the sound in an effective way. It is not the time for you to seek the limelight and show off your solo skills (even though that’s what you have probably been trained to do). Any note or riff you play should enhance the song and the impact of the lyrics. Don’t play just for the sake of it.

2. Less is more. Melody instruments don’t need to play all the time (please don’t!). It is better to add something small and worthwhile, a fill (when singers aren’t singing), or a harmony line for a line or two, than to play too much. Some melody can be useful in the introduction to remind people how a song goes, or when teaching a new song, but other than that your task is to add some light and shade, to help with dynamic build up to chorus, and help set the tone of certain sections of the song. If you find yourself playing start to finish, you are playing too much. If you find that you are standing about doing nothing for much of the time you have probably found a good balance.

3. Play by ear. Most of the effective things you could add to a piece will not be written on the sheet music. You will need to pencil them in during practice, or else learn to improvise. If you know the key (sharps and flats) and know the shape of the melody there is much you can do! Listen to professional recordings of worship music and learn from what the instruments are doing. Copy the types of things you hear that work to add colour and meaning to a song.

4. Fills. Trading phrases is a good thing to learn how to do during the rests of the vocal melody. If the melody goes up you can take a few steps down. If the melody goes down, fill with notes going up. Opposite movement can be quite effective. Think of your fills as a musical response or comment to the words that have been sung. Play along to recorded music to practice this skill.

5. Harmonies. On recorded music you will hear good and limited use of harmonies played by melody instruments. Again, copy good ideas you hear. Write them out if needed. If there is lots of movement in the melody line it is best to harmonise with sustained notes. Choose a note from the chord that is being played at that point. Harmonies work well a 3rd below the melody and up the octave (but it’s a rule that can be broken). Build your confidence by playing along with recorded music. And even if you can play beautiful harmonies for the whole song, don’t. It is best to drop out for whole verse at a time, so that when you do contribute it is effective. Less is more.

6. Improvising. Many people find it helpful to use the Pentatonic (5 note) scale to help with improvising fills. In the key of C major the notes in this scale would be C D E G and A (notes 1,2,3,5,6, of the scale). Play along with recorded songs (of ones you use at church) and try it out.

7. Know the song really well. With all these things I’ve described above you will be better able to effectively add to the arrangement of a song if you know the melody and structure well. It takes time and practice and making mistakes to figure out how to play as a melody instrument in a church band, yet it is a skill worth learning….for the glory of God as His people praise Him together.