O come, O come, Emmanuel – The Piano Guys

Listen to this beautiful rendition of O Come, O Come Emmanuel by the Piano Guys. If you would like to know more of the origins of this beautiful Christmas song, read on.

This is one of my favourite Christmas songs, for the very fact that you cannot miss who Jesus is from the very first line – God with us, Emmanuel! This song recognises Christ’s first arrival, and makes us long for His second, expressed in most eloquent theology. Yet who is the author, you may ask? It was penned in Latin by an unnamed European monk, sometime before the 8th century A.D. He must have had a unique and rich knowledge of the Bible, shown by the way he weaves together several Old Testament prophecies about the coming of the Messiah: “the rod of Jesse,” the “Dayspring from on high,” the “Key of David,” and “Wisdom from on high.”  For Medieval Christians who did not have a Bible to read, this valuable song would help them know and understand and teach others what the hope of Christ was all about. In the early 19th century an Anglican priest named John Mason Neale came across the hymn in an ancient book called the “Psalteroium Cantionum Catholicarum.” The tune that went with the text was from a 15th century French Franciscan convent of nuns ministering in Portugal. Rev. Neale translated the Latin into English and gave the world a song.

O come, O come, Emmanuel,
And ransom captive Israel,
That mourns in lonely exile here,
Until the Son of God appear.
Rejoice! Rejoice! Emmanuel
Shall come to thee, O Israel.

O come, Thou Rod of Jesse, free
Thine own from Satan’s tyranny ;
From depths of hell Thy people save,
And give them victory o’er the grave.
Rejoice ! Rejoice ! Emmanuel
Shall come to thee, O Israel.

O come, Thou Dayspring, from on high,
And cheer us by Thy drawing nigh;
Disperse the gloomy clouds of night,
And death’s dark shadows put to flight.
Rejoice ! Rejoice ! Emmanuel
Shall come to thee, O Israel.

O come, Thou Key of David, come
And open wide our heav’nly home ;
Make safe the way that leads on high,
And close the path to misery.
Rejoice ! Rejoice ! Emmanuel
Shall come to thee, O Israel.

O come, Adonai, Lord of might,
Who to Thy tribes, on Sinai’s height,
In ancient times didst give the law
In cloud and majesty and awe.
Rejoice ! Rejoice ! Emmanuel
Shall come to thee, O Israel.

 

Real Love

This is a cover of Hillsong Young and Free – Real Love, sung by a young man I have been privileged to get to know this year, Myles Vele. He came as an intern to teach at my school and will continue with us in 2017. Hope you enjoy this. Blessings to all.

Two new albums: Matt Redman and Casting Crowns

matt-rHere are two new albums I found recently. They contain some great new favourites from artists who reliably point us to Jesus, the living Word of God, Emmanuel! Matt Redman’s Christmas album is refreshingly original with beautiful lyrics to inspire. You may find something special here for your Christmas program. Blessings to you!

MATT REDMAN – These Christmas Lights (2016) Listen on iTunes

Here is a lyric video which could be used at a Christmas carols night: http://www.christiansongtracks.com/worship-tracks/62398/these-christmas-lights-

CASTING CROWNS: The Very Next Thing (2016) Listen on iTunes

How Can it Be?

​Just a quick post to share this great song by Lauren Daigle.

How Can It Be

Lauren Daigle

I am guilty

Ashamed of what I’ve done, what I’ve become

These hands are dirty

I dare not lift them up to the Holy one

You plead my cause
You right my wrongs
You break my chains
You overcome
You gave Your life
To give me mine
You say that I am free
How can it be
How can it be

I’ve been hiding
Afraid I’ve let you down, inside I doubt
That You still love me
But in Your eyes there’s only grace now

You plead my cause
You right my wrongs
You break my chains
You overcome
You gave Your life
To give me mine
You say that I am free
How can it be
How can it be

Though I fall, You can make me new
From this death I will rise with You
Oh the grace reaching out for me
How can it be
How can it be

You plead my cause
You right my wrongs
You break my chains
You overcome
You gave Your life
To give me mine
You say that I am free

You plead my cause
You right my wrongs
You break my chains
You overcome
You gave Your life
To give me mine
You say that I am free
How can it be
How can it be

Songwriters: Jason Ingram / Jeff Johnson / Paul Mabury

How Can It Be lyrics © Sony/ATV Music Publishing LLC, Essential Music Publishing, Music Services, Inc

Count it all Joy that God is in control

“Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything.” (James 1:2-4)
“Blessed is the one who perseveres under trial because, having stood the test, that person will receive the crown of life that the Lord has promised to those who love him.” (James 1:12)

The call to ‘consider it pure joy’ when we face trials and sufferings is quite the challenge. Should we actually be happy that we have lost something or someone, or that we are rebuked and persecuted? Can we really find pure joy in such a situation? Or are we called simply to put on a brave face, or fake smile?

While trials may not bring us direct or obvious ‘happiness’ they can bring us lasting joy – when they push us to rely on God, rather than ourselves. They shout a loud reminder through our shattered shell of comfort that He alone is in control. God is God, and I am not.

These lyrics come from an older song by Sovereign Grace Music, which works quite well as a congregational song. I hope you find it encouraging.

(Here is the link to get the sheet music)

Count it all Joy
VERSE 1
Lord I’ll count it all joy
When my troubles
Close me in on every side
Lord, I’ll count it all joy
When this road of faith
Runs through the darkest night
For I know You’re at work in me
Yes I know You’ll provide
All the grace I need 

CHORUS
You have always been my Rock 
I will trust You forever, forever 
You have never failed me God 
I will trust You forever, forever 

VERSE 2
Lord I’ll count it all joy
When the weight of sorrow
Drives me to my knees
Every heartache and pain
In Your mighty hands
Is forming Christ in me
And I know that Your Word is true
Yes, I know every trial
Will only prove 

BRIDGE
Who can separate us
From You and Your great love 

Words and music by Steve & Vikki Cook © 2004 Integrity’s Hosanna! Music/Sovereign Grace Worship

Watch “Urban Rescue – His Name (Lyric Video)” on YouTube

I’ve only just discovered this band. See what you think.

Suffering. . . A transforming grace?

“God, who has made us, knows what we are and that our happiness lies in Him. Yet we will not seek it in Him as long as He leaves us any other resort where it can even plausibly be looked for. While what we call “our own life” remains agreeable we will not surrender it to Him. What then can God do in our interests but make “our own life” less agreeable to us, and take away the plausible sources of false happiness?”

(The Problem of Pain, C.S. Lewis, p.96–97)

http://www.desiringgod.org/messages/c-s-lewis-on-heaven-and-the-new-earth-god-s-eternal-remedy-to-the-problem-of-evil-and-suffering

Let Joy take temptation’s place

I just love the poetry in this song, which challenges us to see ourselves as a people ‘built by hands of love’ to ‘fight back darkness with delight‘. We are to be filled with God’s presence (we are your ‘cathedrals’). And I find this a great concept too: replacing temptation with Joy! These are things we can choose to focus on in our day, to actively make into habits in our living and attitudes. I trust you will be encouraged by these words.

“Cathedrals” by Tenth Avenue North

We were built by the hands of love
Redeemed in spite of what we’ve done
We are the Spirit’s dwelling place
And now, children of the light
Fight back darkness with delight
Lift your eyes up to His face
Let joy take temptation’s place
Joy takes temptation’s place

Open up our souls to feel Your glory
Lord, we are a desperate people
Your cathedrals
God, fill this space
Let joy take temptation’s place
We will taste and see You as You are

Father, let Your kingdom come
Keep us from our lesser loves
Nothing else can satisfy
Like the joy found in Your eyes
There’s joy found inside Your eyes
Your eyes

Open up our souls to feel Your glory

Lord, we are a desperate people
Your cathedrals
God, fill this space
Let joy take temptation’s place
We will taste and see You as You are

May we see You as You are
And our hungry souls reach out to whatever fills us up
But we’ll keep on falling down unless we fall in love
Our hungry souls reach out to whatever fills us up
But we keep on falling down until we fall in love

Lord, Lord, Lord

Watch “Paul Baloche Vocal Workshop”

This looks like a really great workshop from a humble guy who became a worship/song leader. It would be great to watch together with your music team. I haven’t watched it all yet, but what I have seen so far is really helpful.

7 tips for those who play melody instruments in a church band.

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Players of melody instruments (flute, saxophone, violin etc.) are often left to their own devices to work out what to play in the church band. Listening to what other good players do can help, but sometimes it still remains a mystery. Today I’m sharing the seven principles I work with (in my head) when I’m playing in that role (though I’m most often on keys or vocals). I hope you will find them helpful.

Melody instruments need to see their place in the band rather like the cherries on the top of a cheesecake. The cheesecake still holds together without them (the bass, rhythm and harmonies provide the main body of the music), yet melody instruments can add a great deal of sweetness and beauty, in small doses – especially if they refrain from playing the melody. Here are my top 7 pointers for being an effective single-line instrument in a church band:

1. Know why you are in the band. You are there to serve, as part of an ensemble, to add to the sound in an effective way. It is not the time for you to seek the limelight and show off your solo skills (even though that’s what you have probably been trained to do). Any note or riff you play should enhance the song and the impact of the lyrics. Don’t play just for the sake of it.

2. Less is more. Melody instruments don’t need to play all the time (please don’t!). It is better to add something small and worthwhile, a fill (when singers aren’t singing), or a harmony line for a line or two, than to play too much. Some melody can be useful in the introduction to remind people how a song goes, or when teaching a new song, but other than that your task is to add some light and shade, to help with dynamic build up to chorus, and help set the tone of certain sections of the song. If you find yourself playing start to finish, you are playing too much. If you find that you are standing about doing nothing for much of the time you have probably found a good balance.

3. Play by ear. Most of the effective things you could add to a piece will not be written on the sheet music. You will need to pencil them in during practice, or else learn to improvise. If you know the key (sharps and flats) and know the shape of the melody there is much you can do! Listen to professional recordings of worship music and learn from what the instruments are doing. Copy the types of things you hear that work to add colour and meaning to a song.

4. Fills. Trading phrases is a good thing to learn how to do during the rests of the vocal melody. If the melody goes up you can take a few steps down. If the melody goes down, fill with notes going up. Opposite movement can be quite effective. Think of your fills as a musical response or comment to the words that have been sung. Play along to recorded music to practice this skill.

5. Harmonies. On recorded music you will hear good and limited use of harmonies played by melody instruments. Again, copy good ideas you hear. Write them out if needed. If there is lots of movement in the melody line it is best to harmonise with sustained notes. Choose a note from the chord that is being played at that point. Harmonies work well a 3rd below the melody and up the octave (but it’s a rule that can be broken). Build your confidence by playing along with recorded music. And even if you can play beautiful harmonies for the whole song, don’t. It is best to drop out for whole verse at a time, so that when you do contribute it is effective. Less is more.

6. Improvising. Many people find it helpful to use the Pentatonic (5 note) scale to help with improvising fills. In the key of C major the notes in this scale would be C D E G and A (notes 1,2,3,5,6, of the scale). Play along with recorded songs (of ones you use at church) and try it out.

7. Know the song really well. With all these things I’ve described above you will be better able to effectively add to the arrangement of a song if you know the melody and structure well. It takes time and practice and making mistakes to figure out how to play as a melody instrument in a church band, yet it is a skill worth learning….for the glory of God as His people praise Him together.