Best Christian musicians

Humble Christian artists whose songs encourage us with great Gospel truth

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The violent grace that saves and transforms

Welcome to all my new followers who have joined up in the last few weeks. (Thanks!) Great to have you along! Today I’m reposting something I wrote a year or two ago which explores the unexpected nature of God’s grace to us in Christ . . . and a great song:

“So ruthless, He loves us,
So reckless His embrace
To show relentless kindness,
To a hardened human race
The joy that was before Him
On the Man of Sorrows face,
And by His blood He bought a violent grace”

Many years ago some great ministry friends introduced me to a writer of very “deep” and challenging Christian songs, Michael Card. And I had almost forgotten him until the other day! Now why did I remember him, you ask? At the moment I am studying for an exam, a “big picture” Bible overview subject and I really need to get some memory verses and concepts stuck in my head, about how Christ fulfills all the OT law and prophets. So then I thought, Hebrews! Great book for explaining that. This was quickly followed by my recollection that Michael Card’s “Soul Anchor” album is the book of Hebrews in song (just about).

“A Violent Grace” (quoted above and below) is Track 1. So passionately does it remind us that God’s grace was no stroll in the park! Jesus was the high priest who sacrificed Himself. His love was (and is) ruthless! He showed the ultimate kindness and grace to the hardened human race that despised Him. Yet the joy set before Him held the Man of Sorrows to the Cross. And what was this joy? (Hebrews 12:2)
“Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before him endured the cross, scorning its shame, and sat down at the right hand of the throne of God.” (NIV)
“We do this by keeping our eyes on Jesus, the champion who initiates and perfects our faith. Because of the joy awaiting him, he endured the cross, disregarding its shame. Now he is seated in the place of honor beside God’s throne.” (NLT)

What was this joy? I suppose there was the joy of sitting on the Throne. But moreso, we are His joy! We are His reward. His death saved a people. All those the Father gave Him can never be snatched from His hand by the power of His death and resurrection. (John 10:28-29) We are God’s chosen people, recipients of immense and violent grace.
No wonder the message of the Cross is so offensive to so many.
But for us being saved it is the power of God!

A Violent Grace (Michael Card, 2001)

A mural of memories moves by in a blur
His prayers all seem unanswered and unheard
His pleading petitions, his loud cries and tears
A last reprieve will simply not appear
So ruthless, He loves us, So reckless His embrace
To show relentless kindness, To a hardened human race
The joy that was before Him
On the Man of Sorrows face
And by His blood He bought a violent grace
Most willing of victims, And with His final breath
Destroyed the one who holds the power of death
The hate heaped upon Him, scorning all the shame
But all for love He died and overcame

In all of time no one had ever heard
And to the world the thought seemed so absurd
Beyond their wildest dreams no one could ever tell
Of a high priest who would sacrifice Himself

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The Gospel changes everything, it’s changing me!

gospel changes everythingSharing today two simply beautiful songs which seek to share the message and the hope of the gospel of grace. They are from two different writers and bring two different perspectives. The first is about the changes Jesus has made both to history and the heart of the person he rescued. The second song focuses on the manner by which Jesus went to the Cross and took our shame, the perfect man showing perfect love to the unworthy (in just 4 lines).

The Gospel Changes Everything
(Meredith Andrews – from Worth it All)

Verse 1

The gospel changes ev’rything
The turning point in history
Even now it’s changing me from who I was
The story of my Savior calls
Me to the wonder of the cross
The gospel changes ev’rything
And it is changing me
(REPEAT)

Chorus 1

You saved my soul by Your blood
And I’m undone by Your great love
You made a way so I could come
Just as I am to You my God

Verse 2

Jesus changes ev’rything
There is no greater mystery
That God would come to rescue me
From who I was
The kindness of my Savior calls
Me to the wonder of His love
Jesus changes ev’rything
And He is changing me

You made a way so I could come
Just as I am to You my God
To You my God
Just as I am to You my God

The Gospel Song
(Sovereign Grace Music Bob Kauflin and Drew Jones – from Songs for the Cross-Centered Life)

Holy God in love became
Perfect man to bear my blame
On the cross He took my sin
By his death I live again
© 2002 Sovereign Grace Praise (BMI)/Sovereign Grace Worship (ASCAP).

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He knows how to make your PIECES fit

worth it allI’m really enjoying WORTH IT ALL, an album from Meredith Andrews (2013). This song (and the clip that goes with it) shows how God uses all the imperfect pieces of our life, our wounds, our brokenness, to fit together perfectly as His child, called to live for his glory. We can rest in him. He knows how to make our pieces fit!

“Pieces”

It’s a complex puzzle you call your life
It’s an uphill climb, it’s a constant fight
And it wears you down
Feeling like you’re alone, like you don’t belong
And you won’t be loved if you don’t measure up
And you wear your scars
Like they’re who you are
Give Him your wounds, your bruised and broken pieces
All your questions, all your secrets
You don’t have to hide who you are
You belong to someone greater
Than all your past mistakes and failures
Rested who He is
He knows how to make your pieces fit
He’s the light on the road when you’re lost in the dark
And He won’t run away if you show your heart
Wants you to believe it
You can taste that freedom
When you give Him your wounds, your bruised and broken pieces
All your questions, all your secrets
You don’t have to hide who you are
You belong to someone greater
Than all your past mistakes and failures
Rested who He is
He knows how to make your pieces fit
You are completely known
You are completely loved
This is where you belong
If you’d like to hear more from Meredith, there is an hour-long special here:
An Evening with Meredith Andrews
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Drawing back the curtains on Christ – the role of Song Leaders

worship-band-chapel-sept-08A week ago I began a discussion on what makes a good song leader and promptly got distracted by the case for “song leaders” rather than worship leaders. (You can read it here: Why I prefer Song leader to Worship Leader.) Whether or not you are happy with my choice of terminology please come with me to consider 12 things that make an effective song leader.

Allow me to preface this list with a few comments. I’ve been working with song leaders and church bands (and serving as a song leader) for about 25 years now. I’ve seen the best and worst examples of what song leading can look like, and I’ve worked through plenty of issues. From what I’ve observed (in myself and others) I know that song leading can lead to all kinds of flattery, self-deceit and bad attitudes about your own importance and Christian life. (These must be confronted as soon as they raise their ugly heads, so be honest with someone you trust.)

To be an effective song leader requires discipline of both the mind and voice. It takes a balancing act of several important elements – especially humility, a desire to serve, vocal ability and confidence. And this does not just apply to when you are on stage! Song leaders must be genuine Christians who see their role as one of service, teaching and encouragement. They must think things through and prepare well. One of the most helpful and guiding pieces of advice I have found for song leaders was given by Charles Spurgeon! Though originally aimed at preachers, he said the challenge was to “draw back the curtains on Christ and get lost in the folds.” What a brilliant reminder that we are not up front for self-glorification, but for Christ!

Bob Kauflin defines the role of the song (‘corporate worship’) leader in a single sentence, like this:
“An effective corporate worship leader, aided and led by the Holy Spirit, skillfully combines biblical truth with music to magnify the worth of God and the redemptive work of Jesus Christ,
thereby motivating the gathered church to join him in proclaiming and cherishing the truth about God and seeking to live all of life for the glory of God.” (http://www.worshipmatters.com/2006/03/01/what-does-a-worship-leader-do-part-16/)

That’s a pretty good definition, so I’m not going to tamper with it!

But for those wanting a longer list of things that make for effective song leading, here are my 12 points regarding the PERSPECTIVE, PRESENCE and PRACTICAL matters that can help song leaders serve more effectively:

Perspective:
1. See yourself as a “servant leader” who is doing a job to help others, to enable the gathered body of Christ to sing together, to praise God and encourage each other. You are serving the congregation with your voice, with clear and well-tuned singing that is easy to follow (just as you might serve with your hands in vacuuming the auditorium).
2. Keep serving in other ways. Don’t think song leading should be the full extent of your service to God. Be willing to take a break from it if it becomes all-consuming, or totally taking you from other gospel opportunities. (Vacuum the auditorium now and then! And speak the gospel to a friend!)
3. Don’t see yourself as the star of the show, and don’t take your musicians or sound crew for granted. Talk to them and express genuine appreciation! (On the other hand, don’t be blasé about your role. It is important to serve people in this role! And it is important for people to sing together to God and to encourage one another.)

Presence:
4. Your body language and facial expressions are pretty important, because they will be reflected to you by the congregation. If you are looking awkward or nervous or disinterested, they will feel that way too. A smile, particularly with your eyes, while you sing is something you can practice. Mirrors provide useful feedback. Stand evenly on your balls of feet, relax your knees, one foot slightly in front of the other. Keep your shoulders down and relaxed. Be a good example of an engaged and joyful participant in corporate praise to our great God!
5. Clothing choice is a question of not drawing attention to yourself and modesty. (Do I need to elaborate here? Is what your wearing causing some to focus their eyes on the shape of some particular part of you? Or not? Are you trying to show off your good taste and style, your brand names, or get attention? Consider modesty of dress and being less conspicuous than you might otherwise choose.)

Practicalities:
6. Be well practiced, so that you arent missing cues, or stuffing up words and doing things that will draw attention to yourself.
7. Be realistic about your abilities and keep tuning your instrument – get vocal lessons to help iron out any issues. Breathing technique is all important. Learn good technique! If you know you are forcing your voice to sound the way you do, seek some help or you could do damage!
8. Learn basic music theory so you can follow a melody and sing the right rhythms, or hold on to notes for the appropriate length. Learn how to follow repeats, first time endings, 2nd time endings, what ‘D.S al Coda means’ – and more.
9. Sing in a way that is easy to follow – avoiding “opera voice” or solo performer voice, with lots of trills and grace notes and vibrato. This makes it difficult for groups to follow. Use harmonies sparingly as these can get people off track when they are following you. Make sure the dominant voice is not the one doing the harmonies, and keep the harmony under the melody. (Descant lines can be especially distracting, unless it is a known part that many in the church know too – or one you want them to learn.)
10. Hold the microphone close enough so that the sound technician can get good levels (about 2 inches/5cm).  It’s easy to turn you down if too loud, but no way to boost a weak/distant signal. Pull it further away on high notes so you don’t blast the congregation!  If microphones are really new to you, get some time along in your church auditorium and sing, with foldback, to get used to sound of your own voice – because sometimes it can frighten you into singing more quietly (not great for a song leader to do!)
11. Give clear instructions if you are leading the band (both during practice and in the service). Use cues to keep everyone together. Make sure the structure of the song is clear for everyone. Listen to the members of the band, what they are saying in practice, as well as what they are playing.
12. Be on time for band practices – and organise them well ahead of time if that is something you as the singer has to do. Sing the song enough times on your own so that the melody is fully entrenched in your mind. Know the structure of the song as it will be sung at church, which may differ from the recorded version. Be willing to pray for your team and with your team, for their role as musicians in the gathering.

Being a song leader is a great privilege and it can be a great blessing to others as you help Christ’s visible body gather together in songs of praise to our great God. If you are a song leader, keep working at it! I hope these points have been helpful!

You may also like these earlier posts on similar topics:

Sharing the rich, indwelling word (Colossians 3:16)

How to encourage your music team even when you’re not the leader

Working for those moments of Joy

You are a Theologian

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Why I prefer “song leader” to “worship leader”

grow musicSo I sat down to compile my thoughts in answer to a question someone asked on Facebook: “What makes a good church song leader?”  What should their attitudes and actions be? I was going to make a useful list to share, but soon realised that first I’d better explain why I’m talking about “song leaders” and not “worship leaders”. The latter term is probably the most widely used across the globe to describe those people who sing upfront in church. But is it the most helpful title? I think “song leader” is much better and my reasoning could be pretty significant in shaping the thinking and actions of any “song” or “worship” leader.

For me the term “song leader” is not something new. It has been part of our church culture here* for more than a few decades. Back in the 90’s when (for us) it was a new thing, and a big deal, to have singers upfront leading the congregation, there were a few things impressed on me by our pastor. One was our title: songleader!  Our job was to lead the singing, to help people to praise God together. There were many new songs, and much more syncopation than most hymns demanded. It was easier for a congregation to learn songs and sing together in time if there was a leader. But these singers weren’t leading the worship. Worship is about more than just singing, as this comment from Don Carson explains:

“I would abolish forever the notion of “worship leader”. If you want to have a “song leader” who leads part of the worship, just as the preacher leads part of the worship, that’s fine. But to call the person a “worship leader” takes away the idea that by preaching, teaching, listening to and devouring the Word of God, and applying it to our lives, we are somehow not worshipping God.”
(Don Carson – from Tony Payne interview with D.A.Carson, The Briefing, Issue 232, Matthias Media, 2000)

“Worship” is all of life, 24×7. To see only the singing, or even just the Sunday gathering, as “worship” is to deny what Romans 12:1 calls us to do in giving our whole lives to Christ: “Therefore, I urge you, brothers, in view of God’s mercy, to offer your bodies as living sacrifices, holy and pleasing to God-this is your spiritual act of worship.” Cleaning the toilets, leading a bible study, going to work, encouraging others, praying to God privately, serving coffee, serving your family, controlling your anger – all these are part of our worship of our Lord and Saviour Jesus Christ.

“There can only be one call to worship, and this comes at conversion, when in complete repentance we admit to worshiping falsely, trapped by the inversion and enslaved to false gods before whom we have been dying sacrifices. This call to true worship comes but once, not every Sunday, in spite of the repeated calls to worship that begin most liturgies and orders of worship. These should not be labeled calls to worship but calls to continuation of worship. We do not go to church to worship, but, already at worship, we join our brothers and sisters in continuing those actions that should have been going on – privately, [as families], or even corporately – all week long.” (Harold Best, Music through the eyes of Faith, p.147)

Going further, you could say that Jesus is the only true worship leader. He is the only mediator between God and man, the perfect man who sings God’s praise in our midst. (1 Tim. 2:5; Heb. 2:12) He is our high priest who has offered the perfect sacrifice of Himself to insure our entrance into the holy places. (Heb. 10:19-22)

This is what Jesus is doing now and always in the throne room of heaven, while for us daily life goes on, and Sundays roll by only every seven days. But on those Sundays the “ultimate worship Leader in the gathering, who enables us to know the Father – He tells us the Father’s name – and leader of our song of adoration, is Christ Himself! We aren’t the only ones singing. The Church sings to a singing God. “The Lord your God is in your midst, a mighty one who will save; he will rejoice over you with gladness; he will quiet you by his love; he will exult over you with loud singing.” (Zephaniah 3:17)
(from “Doxology & Theology: How the Gospel forms the Worship leader” by Matt Boswell, 2013)

Jesus is in the presence of the Father and we are in Him. We are in His presence all the time, wrapped up in Christ, united with Him. We don’t need a worship leader to lead us into his presence, or into the feeling of being worshipful. Christ is with us, we are with Him.

“It’s only when we understand his (Christ’s) presence in the church as being the fulfillment of God’s promise in Zephaniah 3:17 to “quiet you with his love” and “rejoice over you with singing” that a crucial aspect of our salvation comes into perspective. Jesus didn’t coldly settle accounts for us. He doesn’t bark us into improving ourselves. He unites us to himself in the glorious communion he has enjoyed for eternity with his heavenly Father. He resides within us to heal the broken places and reflesh our cauterized hearts. He sings us into a new mode of existence.”
(from “With One voice: Discovering Christ’s Song in our Worship” by Reggie Kidd, 2005).

Couple all this with the fact that we collectively are the temple of living stones, the place where the praises of God resound, and you may see why attaching the word ‘worship’ to such a narrow slice of our Christian lives (singing together on Sunday) may not be the best idea to perpetuate. There are so many great reasons to sing together as the body of Christ, as I have written about before (see https://sevennotesofgrace.com/2013/05/07/sharing-the-rich-indwelling-word-colossians-316/). Promise I will get back to that list about song leaders soon, but at least you may now understand my choice of words.

* My church is part of the Presbyterian Church of Queensland, but you will find the term ‘song leader’ commonly used with Sydney Anglicans and some other denominations across Australia. I’d be interested to know if the term is used in the USA (where I know the majority of my lovely readers are from) so please feel free to share your thoughts!

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Come and love through me

worth it allFollowing on from some recent posts about love, I would like to share with you a song from Meredith Andrews, a singer I’ve only recently discovered and am really enjoying.  It comes from an album “Worth it All” and expresses a longing for God to work in her life, that he might love through her. Sometimes it is discouraging  to look at the great lack of love in the world, in people and families around us – but really it starts with us choosing to be obedient to God’s great command to love. He is willing and able to love through us, through me! What a privilege!

START WITH ME

You are air to desperate lungs
Water falling on the sand
Silence to an angry storm sight to a blind man
You’re still the God of miracles
So if You’re gonna move again
Then would You move in me move in me

You’re the beat to a broken heart
Bread for a hungry crowd
And one word from Your voice rings out
And the dead throw their grave clothes down
‘Cause You’re still the God of the empty tomb
The One who came to life again
So come alive in me come alive in me
Come alive in me come alive in me yeah

My life is an empty cup
Fill it up fill it up
I want to hear ev’ry rescued heart cry
You’re enough You’re enough
Break what needs breaking
‘Til You’re all we see and start with me
Start with me

Whose arms hold the fatherless
Whose voice do they hear
Who sits with the prisoner
And stands for the one in fear
You’re still the God of what is just
And You’re still the God of love
So would You love through me
Love through me yeah
Come and love through me
Would You love through me yeah

(Bridge)

Your kingdom come
Your will be done
Lord let it be and start with me start with me
Yes Your kingdom come and Your will be done
Oh Lord let it be
Let it start with me start with me yeah
Start with me
Start with me oh

CCLI Song # 6378185 Meredith Andrews | Paul Duncan | Paul Mabury © 2012 Word Music

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A great way to search for songs

sg-ministries-bannerI’ve recently discovered a great search tool for Sovereign Grace songs at their website. Though I’ve been using Sovereign Grace for many years (as a source of good biblical, singable songs for church) I had not noticed the menu that allows you to search for songs by theme, tempo, key, genre and keyword. It’s especially useful if your church sings many of their songs. But even if you don’t it’s very easy to follow links to the songs, listen to samples and download the music for free. Sometimes even the suggestion of song titles can help point you in the direction of songs you do know (with similar titles).

Here is a link to the search page:
http://www.sovereigngracemusic.org/Songs

Make sure you scroll down when you get to the page. The top half is all about style, but the bottom section has an immense number of themes you can select in your search. I found it best to tick just one or two boxes at a time. (If you choose too many you will get results ‘zero’.)

Here is my shortlist of the most congregation-friendly Sovereign Grace songs:

1. Jesus Thankyou (Pat Sczebel)
2. O Great God (Bob Kauflin)
3. Let Your Kingdom Come (Bob Kauflin)
4. I will Glory in My Redeemer (Steve & Vikki Cook)
5. The Glories of Calvary (Steve & Vikki Cook)
6. O the Deep Deep Love of Jesus ((Bob Kauflin arrangement)
7. Unashamed (Mark Altrogge)
8. Show us Christ (Bob Kauflin & Doug Plank)
9. Through the Precious Blood (Mark Altrogge)
10. Hope has come (Stephen Altrogge)
11. How high and how wide (Mark Altrogge)

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The Music Exchange from Richard Simpkin: Pet sounds

It doesn’t matter what instruments you use, but the humility, sensitivity and the servant heart of the player does! I enjoyed the challenge of this post for music directors.

Evangelicals Now's avatarEvangelicals Now

Music ExchangeIt’s strange how some instruments go in and out of favour in church music groups.

Our ears seem to be drawn to the same kind of instrumentation that we are used to hearing in mainstream popular culture. For example, in the 80s and 90s we were used to lots of saxophone: Baker Street (Gerry Rafferty), Careless Whisper (George Michael),Poirot (I mean the signature tune to Poirot, not that Poirot played the saxophone onCareless Whisper). But the sax has now largely disappeared from the pop scene. I’m sure that this is the reason that the sax has also disappeared from featuring on today’s Christian music CDs, leading it to being side-lined in church bands too.

A few strings

At the moment, the only classical orchestral instruments we hear on Christian music CDs produced in the West are a few strings. Everything else is electric or closely tied to…

View original post 571 more words

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What should your congregation hear in the mix?

If you are limited to just 3 things?

“Last week on Facebook I posted a bit of a loaded question;

List, in the order of importance which voices/instruments in your worship team you think the congregation needs to hear the most (with 1 being the most important). Then, if they could only hear three things what should three things those be?

What I was most interested in was which three instruments the worship team thought the congregation needed to hear. And by need to hear I mean what best helps them follow the song and sing along. Most people agreed that number one priority was the lead vocal but the rest of the answers were pretty jumbled up. Some folks said the next most important thing was the lead instrument, maybe keyboards or acoustic guitar, some folks said BVs, some said drums, some said voice, voice and voice as options 1, 2 and 3 and of course guitarists said guitar, guitar and more guitar. (And as a guitarist and it being God’s chosen instrument perhaps they have a point? I digress.) But ladies and gentleman of the jury I’d put it to you the very things a congregation needs to hear are often the very things that are not prioritized in most church mixes.

The full sonic spectrum

As we know, a basic song arrangement needs to contain melody, harmony and rhythm to sound like it covers the full sonic spectrum. But I’d say, for most people, in order for them to follow a song they need to hear melody, rhythm and harmony in that order.

So I’d say the order should be 1 lead vocals, 2 drums and 3 bass…

Vocals are obvious, drums should be second because people need to hear where melody fits into rhythm and especially where beat 1 is to understand it in context, but bass? Why bass?

Why on earth do they need to hear the bass?

The bass’s role is actually where rhythm and harmony cross over so it helps pin down the rhythm and identify the melody as it should generally be playing one of the notes in the chord which the melody defines. Also because it generally plays in an octave lower than where the guitar and keyboards generally play (which happen to be in the same range as the vocals too) so by hearing lead vocals, drums and bass the listener or congregation perceives there to be more space in the mix, they perceive the sound to be fuller and actually they perceive the overall volume to be lower if they can detect less instruments fighting for ‘space’. All in all as long as there’s a clear sense of the melody this space makes it easier to follow and sing the song.

Don’t fear the lower end

Have you ever listened to a mix and it just sounds ‘thin’? It’s very often because there are too many instruments fighting for space in the same range and nothing is taking care of the low end register. This can be ironic because most churches tend to be afraid of the lower end of the sound. As one commenter David Stewart mentioned:

“And we’re making the case for subs here aren’t we..! So many think they are an optional extra but covering the whole audio spectrum actually makes the sound easier to listen to and reduces the perceived loudness. The bass end should be felt, not just heard. It’s part of experiencing the sound and it leaves the ears free to hear what really needs to be heard. A sub-less mix forces more instruments into the range of the audio spectrum covered by vocals and it makes for a harsh mix. I know it can be an expense, but subs are a worthy investment!”

It’s not about making a bass heavy mix either. I’ve been to loads of churches who for instance have a sub but don’t use it because they perceive it to be loud when in fact it is designed to help to distribute the full sonic spectrum of sound. This idea is fundamental to sound tech/PA training. Ask a quality, pro mix engineer what three elements they’ll work on first in a mix and they’ll say vocals, drums and bass. You can get the sense of a complete mix with just these three elements. Everything else slots in between.

What about keys and guitar?

Now do hear what I’m not saying, I’m not saying you only want to use these three instruments, of course keys and guitar are important, but acoustic guitars for instance should really be doing the same job as the hi-hats and providing those consistent 16th note groove rhythms. Similarly with keyboards, they should be careful not to cut across the bass players role with the left hand.

What if we don’t have a conventional band?

Conversely I’m also not saying that you HAVE to have a 5 piece rock band set up. Far from it – But the very same rules absolutely DO apply. So still think melody, rhythm and harmony in that order. If you don’t have drums what else is going to establish that sense of kick drum groove on beats 1 and 3 or the snare on 2 and 4? If you don’t have a bass can your keyboard/piano make more of an emphasis of that low end bass groove?”

http://www.musicademy.com/2013/11/what-should-your-congregation-hear-in-the-mix/

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Should Non-Christians Play Worship Music in a Church Service?

This is an interesting post from a student pastor who has joined our church this year. He has quite recently started blogging and his posts abide by a unique self-imposed rule, that each one be 299 words or less….with no boring bits. I hope you will enjoy them as much as I have, and maybe join in the conversation.